Wednesday, December 12, 2012

Session Playing--Why You Should Wait To Include Any Element Of Your Own Chops In The Mix

 I was reading a recent article in guitarplayer.com in the back section called; Session Stories. Steve Lukather has been the main player in these articles. Anyway, he talked about learning from other players and the masters of session work before including your own elements in any recordings. 

This is a repost that is so essential to any player out there thinking about, or already involved with Session Work. Steve Lukather is one of music's best and most in demand session cats, and during the 80's especially he learned from the best players and producers in Los Angeles. This is a short article on becoming an in demand player in the studio or live. You may think you know how to do studio work better than most, but think again and stop spouting delusional bullshit like you're better than every player. Take it easy shred boy.

Unfortunately, Session work is not about chops or improvising the hell out of someone else's work. You have to be able to play literally note for note, another player's material. That's why I think most lead guitar players today do not make very proficient session guys.

Some players are more suited to session work but the odd amazing player can get the feel better than some sideman. It depends on the situation too. But take the most simple song, commercial jingle or even jam piece, and the best players can't get it. It's kind of like being a Scout for a label or a pro sports team. What you see isn't always what will transpire in a studio session. But going back to what this post is about. You have to learn from the best studio session players and producers--and be willing to play their way. Then when you're a known commodity who is adept at session work, then you can add your own improvisational elements into the mix. But not too much. The producers and other players will see that ability if you have it.

Talk to a local blues band or a studio and offer your services for free as a studio musician until you can play exactly what they want, then add your own way of playing to a song. Most players won't do this, and that's why they never make the kind of money they deserve as session players, or sidemen playing live or on albums that sell well. That's just the way it is guys. I'm here to help you in any way I can with the Musicians Instant Press Kit as well, which will also delve into how to play for other bands as a steady sideman and session player as well.

We are always here to help musicians like you who want to succeed. So get started today on being a great sideman. Read the piece from Lukather on Session stories. Thank you to Steve Lukather. For more info on Lukather and to learn from a master, go to; stevelukather.net

Much Success on stage and in the studio guys.

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